\u201c…Glass trata de maneira sens\u00edvel a sua imagin\u00e1ria fant\u00e1stica, criando um besti\u00e1rio surreal, an\u00f4nimo e desesperado…\u201d<\/p>\n
\u201cS\u00e3o objetiva\u00e7\u00f5es, em del\u00edrio, dos temores, mem\u00f3rias de suas viv\u00eancias interiores, das quais Glass extrai a ess\u00eancia \u2013 o sexo, a morte, o sonho, a loucura, a vida…\u201d<\/p>\n
Sheila Leiner \u2013 novembro de 1975<\/p>\n
“… Glass deals sensitively with his fantastic imagery, creating a surreal, anonymous, and desperate bestiary …”<\/p>\n
“They are objectivations, in delirium, of the fears, recollections of his inner experiences, from which Glass extracts essence – sex, death, dream, madness, life …”<\/p>\n
Sheila Leiner \u2013 November de 1975<\/p>\n
<\/p>\n
\u201c…servido por um estilo pessoal, por uma f\u00e9rtil imagina\u00e7\u00e3o e por uma t\u00e9cnica segura, Glass se prova um sens\u00edvel observador (\u00e9 esta a palavra?) de nosso tempo. Se n\u00e3o pretende fornecer uma den\u00fancia organizada, reafirma, de qualquer forma, a verdade de uma outra ideia, esta de origem poundiana: o artista \u00e9 aquele que possui \u2018as antenas da esp\u00e9cie\u2019. E afinal grita, nos momentos em que este \u00e9 o recurso necess\u00e1rio. \u201d<\/p>\n
Ol\u00edvio Tavares de Ara\u00fajo \u2013 julho de 1977<\/p>\n
“… witch his personal style, fertile imagination, and confident technique, Glass proves to be a sensitive observer (is that the word?) of our times. Although not intending to provide an organized denunciation, he restates, in any case, the truth of an idea of Poundian origin: the artist has ‘the antennas of the species’. And ultimately he shouts out loud, when this is the only way.”<\/p>\n
Ol\u00edvio Tavares de Ara\u00fajo \u2013 July de 1977<\/p>\n
\u201c…num momento em que a arte brasileira, merc\u00ea de um mercado artificioso, procura criar apenas propostas agrad\u00e1veis \u00e0 vista, \u00e9 bom notar a presen\u00e7a de um criador jovem que insiste em mostrar o mundo e o submundo, em fazer refletir. \u201d<\/p>\n
Alberto Beuttenmuller \u2013 revista Vis\u00e3o, 13 de julho de 1981
\n“… at a time when Brazilian art, due to an artful market, tries to create work that is merely pleasant to the eye, it is refreshing to see a young creator insisting on showing us the world and subworld and having us reexamine things. ”<\/p>\n
Alberto Beuttenmuller \u2013 \u00a0Vis\u00e3o magazine, 13 de July de 1981<\/p>\n
<\/p>\n
<\/p>\n
\u201c…\u00e9 inevit\u00e1vel admitir: Jair \u00e9 um \u00f3timo artista. Daqueles que brotam de dentro para fora, depurando suas pr\u00f3prias emo\u00e7\u00f5es. \u201d<\/p>\n
Ang\u00e9lica de Moraes \u2013 revista Afinal, 17 de mar\u00e7o de 1987
\n“… is has to be admitted that Glass is a fine artist. One of those who well up from within, refining their own emotions.\u201d<\/p>\n
Ang\u00e9lica de Moraes – Afinal, magazine, 17 March 1987<\/p>\n
\u201cOs desenhos de Glass impressionam pelo clima e pelo tra\u00e7o. S\u00e3o composi\u00e7\u00f5es densas, cheias de ironia e drama. As figuras, quase sempre, s\u00e3o descarnadas at\u00e9 o osso ou assumem fei\u00e7\u00f5es monstruosas, tr\u00e1gicas. \u201d<\/p>\n
Ang\u00e9lica de Moraes \u2013 Jornal da tarde, abril de 1986<\/p>\n
\u201cGlass\u2019s drawings impact through their mood and line. They are dense compositions, full of irony and drama. The figures are almost always stripped to the bone, or take on monstrous and tragic features.\u201d<\/p>\n
Ang\u00e9lica de Moraes \u2013 Jornal da tarde, April de 1986<\/p>\n
<\/p>\n
\u201c…outra caracter\u00edstica de Glass \u00e9 o desenho\/pintura de pequenas dimens\u00f5es, criando, assim, um microcosmo de personagens que quase s\u00f3 se v\u00ea de lupa, pois h\u00e1 muitos detalhes nesse cen\u00e1rio bizarro. \u201d<\/p>\n
Alberto Beuttenmuller- revista Vis\u00e3o, 25 de mar\u00e7o de 1987<\/p>\n
“… another feature of Glass\u2019s work is his small scale drawing\/paintings witch microcosm of characters almost invisible without a magnifying glass, abounding in detail, in a bizarre scenario.”<\/p>\n
Alberto Beuttenmuller – Vis\u00e3o magazine, 25 March 1987<\/p>\n
<\/p>\n
\u201cEle \u00e9, portanto, mais artista do que pintor ou desenhista, ainda que o seu meio expressivo seja este. Hoje este trabalho, pelo volume, qualidade e coer\u00eancia, j\u00e1 se constitui em uma obra digna de aten\u00e7\u00e3o…\u201d<\/p>\n
Jacob Klintowitz -O Estado de S.Paulo, 30 de mar\u00e7o de 1987
\n“He is, therefore, more of an artist than a painter or draftsman, although this is his means of expression. This work, due to its volume, quality, and consistency, has now constituted an oeuvre worthy of attention …”<\/p>\n
Jacob Klintowitz \u2013 O Estado de S. Paulo, March 30, 1987<\/p>\n","protected":false},"excerpt":{"rendered":"
\u201c…Glass trata de maneira sens\u00edvel a sua imagin\u00e1ria fant\u00e1stica, criando um besti\u00e1rio surreal, an\u00f4nimo e desesperado…\u201d \u201cS\u00e3o objetiva\u00e7\u00f5es, em del\u00edrio, dos temores, mem\u00f3rias de suas viv\u00eancias interiores, das quais Glass extrai a ess\u00eancia \u2013 o sexo, a morte, o sonho, a loucura, a vida…\u201d Sheila Leiner \u2013 novembro de 1975 “… Glass deals sensitively with […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"saved_in_kubio":false,"footnotes":""},"categories":[42],"tags":[23,10,50,13,25,49],"class_list":["post-611","post","type-post","status-publish","format-standard","hentry","category-texto","tag-arte","tag-artemoderna","tag-critica","tag-glass","tag-jairglass","tag-textos"],"_links":{"self":[{"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/posts\/611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/comments?post=611"}],"version-history":[{"count":1,"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/posts\/611\/revisions"}],"predecessor-version":[{"id":612,"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/posts\/611\/revisions\/612"}],"wp:attachment":[{"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/media?parent=611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/categories?post=611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jairglass.com.br\/index.php\/wp-json\/wp\/v2\/tags?post=611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}